![]() She made her role debut as Gilda in Rigoletto with Boston Youth Symphony Orchestra and sang Pamina with both the Crested Butte Music Festival and Utah Opera. In the 2013-2014 season the soprano debuted with Opera Memphis, as Gilda in Rigoletto, Arizona Opera, for Musetta in La bohème, the Qatar Philharmonic Orchestra, for Carmina Burana under Alastair Willis, and made a return to the Boston Youth Symphony, as Pamina in The Magic Flute.ĭuring the 2012-2013 season, Anya returned to Seattle Opera for Marzelline in Fidelio, and was praised for her “crystalline” and “substantial” tone ( Seen and Heard International). Matanovic, as Violetta in La traviata with Boston Lyric Opera, as well as Stella in Previn’s A Streetcar Named Desire in a return to Kentucky Opera. The 2014-2015 season brought anticipated role debuts for Ms. Matanovic’s 2015-2016 season featured a debut with New Orleans Opera as Adele in Die Fledermaus. She also appeared in concert with the Cleveland Orchestra and Cincinnati Symphony for Mendelssohn’s A Midsummer Night’s Dream. Ms. The season also included notable role debuts, including Anne Trulove in The Rake’s Progress with Boston Lyric Opera, and Mabel in Pirates of Penzance with Lyric Opera of Kansas City. The 2016-2017 season began with an anticipated return to Seattle Opera, as Gretel in Hansel and Gretel. The 2017-2018 season saw the soprano make her company and role debut as Mimi in La bohème with Opera Colorado, followed by an appearance with the Eugene Concert Choir for Mozart’s Grand Mass in C Minor. Additionally, she joined the Lyric Opera of Chicago to cover Ginevra in Ariodante. The previous season included a return to Utah Opera as Juliette in Roméo et Juliette, and a role debut as Abigail Williams in The Crucible with Opera Santa Barbara. Matanovič returned to Utah Opera as Violetta in La Traviata (performed) , and joined the Santa Barbara Symphony for performances of Mozart’s Exsultate Jubilate and Mahler’s Symphony No. ![]() ![]() In the 2022-23 season she joins the roster of the Metropolitan Opera to cover the role of Violetta in Verdi’s La Traviata.ĭuring the COVID-19 shortened 2019-2020 season, Ms. This summer she sings the role of Isotta in Strauss’ Die schweigsame Frau at Bard Summerscape. The soprano’s upcoming engagements include a return to Seattle Opera as Susanna in Le Nozze di Figaro and Violetta in La Traviata with Opera Santa Barbara. ![]()
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